Monthly Archives: August 2016
Art is hard. All of it.
It takes years of dedication and passion. It takes countless hours of practice, wasted materials, and occasionally some true heartache.
But all of it is worth it for the joy it can create. Real art generates an emotional reaction, and when you are striving in your art to create that you might very well be at your most intense, your most enthusiastic, but also your most vulnerable.
One of the measures of art is often set as the artist being so accomplished that they make the difficult look effortless. But the effort is there. It stretches backwards in time through all those countless hours of practice. It’s in every penny saved and scraped and carefully spent to acquire just the right tool, just the right resource, just the right material.
However, no matter what you do, there is still in some means by which the audience for that art can discern the incredible level of work and dedication it took to produce it.
No so with magic. With magic the goal of practice is not to display the skill, but to hide it. To make it invisible to detection, because in that invisibility the art comes out.
Imagine dedicating your life to an art whose very nature is that it can not be shared with it’s audience. Imagine the years of practice and developing skills one must go through in order to present mystery in a manner so apparently effortless that it defies detection.
Then, because what you are doing is still nothing without the theatrical experience that surrounds it, you take all of that skill and you hide it inside a whole other craft that you have spent as much time developing. You can show your theatrical skills, but your magical ones, the ones you are most in love with, most passionate about, must remain hidden from the intended audience.
Most of the time magicians revel in their secrecy. But on occasion the desire to show just how clever, or how complex some particular technique is can be hugely tempting and as a result hugely frustrating. The desire to revel in a particularly well developed routine might make a magician proud enough to want to crow about it.
And that is the moment. The moment when we are at our most vulnerable.
Because all it takes is one off hand comment, one joke at the expense of our art, to turn exhilaration in to frustration. This is true for every art. No matter how unintentionally hurtful the comment or joke might have been meant, if the artist is unready for such a thing then they are going to be hurt. They were putting the full expression of their joy out into the world and what they got back was mockery.
Most other artists are able to point back to everything they’ve done and express their feelings by saying “Wait! Look at everything it took for me to do this!” Magicians are not afforded that response. Not to the public at large. If we say “this is what it took to make this happen” they are giving away the very tools and secrets of their art. They are destroying it in the process of trying to protect it and their fragile artistic wonder.
This is how artists are crushed; having people they respect and admire treat their art in an offhand manner. This is what makes dancers less likely to take that next step. This is what makes a painter look with sadness at their brushes. One more rejection letter makes an author question their words, but an unkind comment from a friend might make them never write another word again.
And for a magician, being relegated to nothing more than mere ‘tricks’ and being worth hardly any world beyond ‘kids birthday parties’ despite years of effort makes them not want to put on the show at all.
There is a difference between being critical and being disdainful. A good critic, a truly rare creature indeed, will provide useful feedback that an artist can take and use to further develop their skills and craft. But a wise ass, a jerk thinking they are funny with some supposedly funny comment, is not showing anything but disdain.
Sometimes it’s the mentality of the heckler. Being unable to stand the fact that they aren’t getting attention, or feeling inferior they need to some how tear down the source of of their own discomfort.
Sometimes it’s pure thoughtlessness. The path that stems from “familiarity” breeding contempt. Instead of evaluating the moment for what it really is the thoughtless “friend” goes for what they think is a funny joke never realizing that the moment they have intruded on is just not the right time for humor.
Regardless of the motivations, it’s nothing but painful for any artist no matter the art in question.
This is why artists seek out the inner circle; friends, family, loved ones, who will be honest, who will be critical, but who will also be supportive and who do understand what you’ve done to get to where you are in your skills.
For most magicians there are magic clubs. For me personally these clubs are useless. Not because there aren’t talented people in them. But rather because in all the years that I went to any of them I found that they weren’t interested in what I was interested in, often not even being able to understand what I was trying to get from them or share with them.
But this is why I love going to the magic school I go to in Vegas. There everyone comes in understanding what they are there for, why they need each other, and most importantly how to be creative, supportive, and critical without being the idiot who crushes another artist.
And so dear reader, there is your lesson. If you want to crush an artist all you need to do is be disdainful of their art. Because nothing crushes an artist faster than showing that what they’ve devoted their passion to is utterly unimportant to you, the audience they want to give some measure of joy to.
But then, why would you want to crush the people who make your world more beautiful, more wonderful, and more magical? We live in a world where we crave art, but far to frequently we crush the artist right in front of us.
No wonder the world steadily becomes more and more sterile.